Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.
The Pianist 
Director: Roman Polanski
Starring: Adrien Brody, Thomas Kretschmann and Frank Finlay
Running Time: 150 minutes
It’s always difficult to watch films about the Holocaust, and it’s especially challenging to write about them afterward. What can be said about one of the most horrifying events in all of mankind? Because of this, it has taken me ten long years to finally see The Pianist, Roman Polanski’s film based on the World War II memoir by Polish-Jewish musician Wladyslaw Szpilman.
Adrien Brody stars as Szpilman, and the film begins with a German bombing during one of his popular radio station performances. It doesn’t take long for Germany to defeat Poland, and they quickly begin pushing the Jews into ghettos with extremely poor living conditions. This only gets worse as the Germans linger in the country, with Jews being executed randomly, and many of them being sent to concentration camps.
Eventually Szpilman becomes separated from his family, and he is forced to live in hiding from the Nazis. He must rely on the hospitality of others, but this becomes increasingly difficult as the war goes on. Jews begin turning on each other, and the Nazis start wiping out entire areas for no reason. Soon many ghettos are looking like post-apocalyptic war zones.
This destruction makes for an exceedingly arduous viewing. The punishment is relentless, and quite frankly we do not need to see most of it. The devastation and tragedies just keep getting piled onto Szpilman with no end in sight. There is no humanity or compassion at all, except for a brief glimpse at the end. It’s harrowing to watch, a painful look at an absolutely darkest time.
The attention to detail in The Pianist is astounding, and this is to be expected given Polanski’s own Holocaust survival tale. This is an extremely well-crafted film, one brought together by Adrien Brody’s well-deserved Oscar-winning performance. Szpilman’s physical and mental deterioration over the years is hard to watch, but Brody’s dedication to the role is admirable.
While watching The Pianist, I wondered what separated Szpilman’s story from thousands of others during the Holocaust. Was it the fact that he was a well-known musician? Or perhaps that he received a rare moment of compassion as the Nazis left Warsaw? Ultimately, this question does not matter. At the end, this could have been the story of any number of survivors, and The Pianist is an exemplary portrait of this.